Duben 2007

Brianstorm - 2.verze

29. dubna 2007 v 12:24 | Clementine |  Překlady
Brianstorm

Tak, Briane...
Nejvyšší známky za nesnažení se,
je od tebe tak laskavé, že nás oblažuješ svou nenuceností,
jsme vděční a tak podivně ukonejšení...

A přemýšlím, jsme pro tebe méněcenní,
protože nemůžeme spustit oči z té kombinace tričko - kravata...?
takže, zas někdy příště, novátore

Někteří tě chtějí líbat, jiní nakopnout,
neexistuje síto, kterým bys neprošel,
nebo to tak alespoň vypadá, protože jseš tak klidnej a slizkej,
a ona to ještě neví, ale je tvoje

bude říkat, použij mě,
ukaž mi vířivku,
umím si představit, že to máš všechno na podnose,
tvoje rendezvous tempo obnáší nezdráhábí se nechat je vždycky chvíli čekat,
pochybuju, že je to tvůj styl, nedosáhnout mety, co sis nastavil
oči jsou v ohni,
jsi nepředvídatelná bouře

(Briane)
Klidný, soustředěný a dominantní,
(nejvyšší známky za nesnažení se)
z ostatních historek děláš vykopávky
díky tomu, jak to umíš podat, a jak vtipnej jseš,
vsadím se, že jsou stovky kluků, co buleli protože's jim vzal
jejich...
(hrom)
Jsme pro tebe méněcenní,
protože nemůžeme spustit oči z té kombinace tričko - kravata...
takže, zas někdy příště, novátore...

Nejoblíbenější song...

28. dubna 2007 v 23:28 | Martin Novák |  Ankety
Tak hlasujte pro svůj nejoblíbenější song z Favourite Worst Nightmare.

(stačí kliknout na nadpis)

2006

25. dubna 2007 v 2:00 KONCERTY
17.1. Kultkomplex-Café, Germany
22.1. Leadmill, Sheffield
23.1. Ambassador, Dublin
24.1. Ambassador, Dublin
25.1. Ulster Hall, Belfast
27.1. Academy, Glasgow
28.1. Corn Exchange, Edinburgh
29.1. Academy, Newcastle
31.1. Rock City, Nottingham
2.2. University, Leeds
4.2. Academy, Manchester
5.2. Academy, Manchester
7.2. Octagon, Sheffield
8.2. Academy, Birmingham
9.2. UEA, Norwich
11.2. Great Hall, Cardiff
12.2. Corn Exchange, Cambridge
15.2. Guildhall, Portsmouth
16.2. Dome, Brighton
17.2. Academy, Brixton
24.2. La Trabendo, Paris
25.2. Mousonturm, Frankfurt
27.2. Melkweg, Amsterdam
28.2. Bot/Orange, Brussels
1.3. Grosse Freiheit 36, Hamburg
3.3. Postbahnof, Berlin
4.3. Stollwerk, Cologne
13.3. Great American Music Hall, San Francisco
15.3. Henry Fonda Theatre, Los Angeles
17.3. SXSW, Austin
18.3. Metro, Chicago
20.3. Air Canada Centre, Toronto
21.3. Phoenix Concert Theatre, Toronto
22.3. Spectrum de Montreal, Montreal
23.3. Paradise Rock Club, Boston
25.3. Webster Hall, New York City
26.3. Starlight, Philadelphia
27.3. 9:30 Club, Washington
29.3. Crocodile Cafe, Seattle
2.4. Zepp, Osaka
3.4. Diamond Hall, Nagoya
4.4. Studio Coast, Tokyo
12.4. Rock City, Nottingham
13.4. Rock City, Nottingham
14.4. Academy, Glasgow
15.4. Academy, Newcastle
15.4. Newcastle Academy, Newcastle Upon Tyne
17.4. Solent BIC, Bournemouth
18.4. Pavillions, Plymouth
19.4. Civic, Wolverhampton
21.4. Newport Centre, Newport
22.4. Magna, Sheffield
23.4. Empress Ballroom, Blackpool
25.4. Ice Rink, Hull
26.4. Corn Exchange, Cambridge
27.4. Academy, Brixton
29.4. Printemps de Bourges, Boures
30.4. Transbordeur, Lyon
2.5. Batacian, Paris
4.5. Delta Connection, Mannheim
6.5. E-Werk, Cologne
7.5. Paradiso, Amsterdam
8.5. Jovel, Munster
9.5. Alter Schiachthof, Dresden
11.5. Gr. Elserhalle, Munich
12.5. Vox, Modena
13.5. Rolling Stone, Milan
14.5. Le Theatre du Moulin, Marseille
16.5. Razzamatazz 2, Barcelona
17.5. Sala Heineken, Madrid
18.5. Garage, Lisbon
25.5. Old Blue Last, London
28.5. Sasquatch Festival, Washington
29.5. Roseland, Portland
30.5. Warfield, San Francisco
2.6. Soma, San Diego
3.6. Wiltern, Los Angeles
4.6. Marquee, Tempe
6.6. Granada, Dallas
7.6. Stubbs, Austin
8.6. Warehouse, Houston
10.6. Roxy, Atlanta
11.6. Norva, Norfolk
12.6. Sonar, Baltimore
13.6. Roseland, New York
15.6. Avalon, Boston
16.6. Le Medley, Montreal
17.6. Kool Haus, Toronto
23.6. Festival, Hurricane
24.6. Columbia, Berlin
25.6. Festival, Southside
30.6. Festival, Belfort
1.7. Festival, Werchter
2.7. Festival, Roskilde
4.7. Festival, Quart
5.7. Accelerator, Gotebourg
6.7. Accelerator, Stockholm
8.7. Festival, Oxegen
9.7. Festival, T In The Park
28.7. St James Theatre, Auckland
30.7. Metro City, Perth
1.8. Thebarton Theatre, Adelaide
2.8. The Palace, Melbourne
3.8. The Palace, Melbourne
4.8. The Arena, Brisbane
5.8. The Arena, Brisbane
8.8. Enmore Theatre, Sydney
9.8. Enmore Theatre, Sydney
12.8. Summersonic, Osaka
13.8. Summersonic, Tokyo
14.8. Boardwalk, Sheffield
18.8. Frequency Festival, Salzburg
19.8. Pukkelpop, Belgium
20.8. Festival, Lowlands
23.8. Citrus Club, Barnsley
24.8. The Forum, London
26.8. Carling Festival, Reading
27.8. Carling Festival, Leeds

505 - text

24. dubna 2007 v 2:00 | Martin Novák |  Texty
I'm going back to 505
If it's a 7 hours flight
Or a 45 minute drive
In my imagination
You're waiting lying on your side
With your hands between your thighs
Stop and wait a sec
When you look at me like that
My darling what did you expect?
I probably still adore you
With your hands around my neck
Or I did last time I checked
I'm not shy of a spark
The knfie twists at the thought that I should fall short of the mark
Frightened by the bite no it's no harsher than the bark
A middle of adventure, such a perfect place to start
I'm going back to 505
If it's a 7 hour flight
Or a 45 minute drive
In my imagination you're waiting lying on your side
With your hands between your thighs
But I crumble completely when you cry
It seems like once again you've had to greet me with goobye
I'm always just about to go and spoil the surprise
Take my hands off of your eyes too soon

I'm going back to 505
If it's a 7 hour flight or a 45 minute drive
In my imagination you're waiting lying on your side
With your hands between your thighs
And a smile

Old yellow bricks

23. dubna 2007 v 2:00 | Martin Novák |  Texty
Old Yellow Bricks
Love's a risk
Quite the little escapologist
Love's some myth
When you wish
For a thousand places better than this
You are the fugitive but you don't know what you're running from
You can't kid us and you couldn't trick anyone
Houdini look, you don't know what you're running away from
He wants to sleep in the city that never wakes up
Blinded by nostalgia
He wants to sleep in the city that never wakes up
She was enraged, by the way
That the emporers were trapped in the cage
And the days
She'd deemed dull
The empty nights reading beer bottles
You're such a fugitive but you don't know what you're running form
You can't kid us yeah you can't trick anyone
Houdini, yeah you don't know what you're running from
He wants to sleep in the city that never wakes up
Blinded by nostalgia
He wants to sleep in the city, that never wakes up
Yeah it's a loss, just because
It wasn't all you thought it was

You're the fugitive but you don't know what you're running away from
She said I want to sleep in the city that never wakes up
And revel in nostalgia
He wants to sleep in the city that never wakes up
But Dorothy was right though...

Take it or Leave it cover

22. dubna 2007 v 16:18 | Martin Novák |  Covers
Tady je video z "Taratat" na cover od Strokes - Take it or Leave it.
Myslím, že je to povedené, pro fanoušky Strokes určitě zajímavé. Posuďte sami, komentáře můžete připsat pod článek ;)

The bad thing

22. dubna 2007 v 2:00 | Martin Novák |  Texty
Do the bad thing
Take off your wedding ring
But it wont make it that much easier
It might make it worse
The night's like a whirlwind
Somebody's girlfriend is talking to me
But it's alright
She's saying that he's not that he's gonna slap me
Or try to attack me
He's not the jealous type
I only need to get half an excuse and I'm away
But when there's no excuses that's much easier to say
I've been before and all these capers makers to the floor
Then to ignore
She's talking but I'm not entirely sure
Do the bad thing
Take off your wedding ring
But it wont make it that much easier
It might make it worse
Somebody's partner is talking to me
But I don't that is what she isn't
She murmurs things to confirm the tragedy is true
And I knew how could she not she could have anyone she wants
And I'm struggling to think of an immediate response
Like I don't mind

Be a big mistake for you to wait and help me waste your time
Really love it's fine
Said really love it's fine
And the first time it occurred that there was something to destroy
I knew before the invitation that there was this ploy
Oh but she carried on suggesting
I struggled to refuse
She said it's the red wine this time
But that is no excuse

If you were there, beware

21. dubna 2007 v 2:00 | Martin Novák |  Texty
If you were there beware the serpant soul pinchers
Three hundred and fifty no thank yous and nobody flinches
Go on girl go on, give us something gruesome
We require your grief for thugs and the thiefs
As they're trying to rob the words from her gob
And take the source of the innocence
And if you were there beware the serpant soul pinchers
You can't you said she was never meant to fill column inches
And you had enough what you're trying to dig up isn't there to be dug
The thiefs and the thugs
As they're trying to be the digger graves of her sweet heart and to the point she'll comply
And I leave her on her own
If I'd of known then I wouldn't have said it
I wouldn't have said it if I'd have known
And I leave her on her own
If I predicted tears then I wouldn't have said it
I wouldn't have said it if I had known

There's a circle of witches ambitiously vicious they are
And our attempts to remind them of reason wont get us that far
I don't know what it is that they want
I don't know what it is that they want
But I haven't got it to give
She hasn't got it to give

This house is a circus

20. dubna 2007 v 2:00 | Martin Novák |  Texty
This house is a circus, berserk as fuck
We tend to see that as a perk though. Look
What it's done to your friends their memories are pretend
And the last thing they want is for the feeling to end
This house is a circus, berserk as fuck
We tend to see that as a perk though. Look
What it's done to your friends their memories are pretend
And the last thing they want is for the feeling to end

Looking for trouble and there's lovers to be had
Those ones next to us are such lovely lads
Scaling the corridors for maidens in the maze
And the anomaly is slipping into familiar ways
And we're forever unfulfilled
Can't think why
Like a search for murder clues
In dead man's eyes
Forever unfulfilled
And can't think why
Like a search for murder clues
In dead man's eyes

The more you open your mouth
The more you're forcing performance
All the attention is leading me to feel important (completely obnoxious)

Now that we're here, we may as well go too far

Wriggling around just so that you won't forget
There's certainly some venom in the looks that you collect
Aimlessly gazing at the blazers in the queue
Struggling with the notion that it's life not film

This house is a circus, berserk as fuck
We tend to see that as a perk though. Look
What it's done to your friends their memories are pretend
And the last thing they want is for the feeling to end
This house is a circus, berserk as fuck
We tend to see that as a perk though. Look
What it's done to your friends their memories are pretend
And the last thing they want is for the feeling to end

Do me a favour

19. dubna 2007 v 2:00 | Martin Novák |  Texty
Welcome all, and welcome please.
Now the cheers on the steering, they don't bring it on the seas,* = definite wrong line
Several hours of several weeks,
I'll have the cheek to say they're equally happy!

The beginning of the end, apartment on the hill,
And it's the bit around the bend, ask anyone they'll tell you that.
It's three times at it's end,
Start to breaking up, start to fall apart
Oh! hold on to your heart.

Do me a favour, unbreak my nose!
Do me a favour, tell me to go away!
Do me a favour, stop asking questions!

She looked away while her shoes were untied
And the eyes were all red'
You could see that we cried, and I watched and I waited,
'Till she was inside, forcing a smile and waving goodbye.

Curiousity becomes a heavy load,
Two will be too old, two will be too old.
Curiousity becomes a heavy load,
Two will be too old, will force you to be cold.

And do me a favour, I'm asking you to give some help!
She said,'do me a favour and suffer in yourself',
Ah, to tear apart ten times a fight, I'm not so hard as on that July,
And after all I dream tonight!

Only ones who know

18. dubna 2007 v 2:00 | Martin Novák |  Texty
In a foreign place
The saving grace was the feeling
That it was her heart that he was stealing
He was ready to impress
And the fierce excitement
The eyes are bright
He couldn't wait to get away
And I bet that Juliet was just the icing on the cake
Make no mistake, no
And even somehow he could have shown you
The place you wanted
Well I'm sure you could have made it that bit better on your own
And I bet she told a million people that she'd stay in touch
But all the little promise that don't mean much
When there's memories to be made
And I hope you're holding hands by new year's eve
They made it far too easy to believe
That true romance can't be achieved these days
And even if somehow they could have shown you the place you wanted
Well I'm sure you could have made it that bit better on your own
You are the only ones who know

Fluorescent adolescent

17. dubna 2007 v 2:00 | Martin Novák |  Texty
You used to get it in your fishnets
Now you only get it in your night dress
Started all the naughty nights with niceness
Now you're in a very common crisis
Everything's in order in a black home
Nothing is as pretty since he passed on
That Bloody Mary's dripping in Tabasco
Remember when he used to be a rascal?

Oh that boy's a slag
The best you ever had
The best you ever had
Is just a memory and those dreams
Not as daft as they seem
Not as daft as they seem
My love when you dream them up...

Flicking through a little book of sex tips
Remember when the boys were all electric?
Now when she tells she's gonna get it
I'm guessing that she found it - just forget it
Figures for not getting sentimental
Said she wasn't going but she went still
Now she gets her fella to be gentle
Was it a knickerbocker or a betting pencil?

Oh that boy's a slag
The best you ever had
The best you ever had
Is just a memory and those dreams
Weren't as daft as they seem
Not as daft as they seem
My love when you dream them up
Oh, where did you go?
Where did you go?
Where did you go? Woah.

Falling about
You took a left off Laspark Lane
You just sounded it out
You're not coming back again.

Falling about
You took a left off Laspark Lane
You just sounded it out
You're not coming back again.

You used to get it in your fishnets
Now you only get it in your night dress
Started all the naughty nights with niceness
Now you're in a very common crisis
Everything's in order in a black home
Nothing is as pretty since he passed on
That Bloody Mary's dripping in Tabasco
Remember when he used to be a rascal?

Balaclava

16. dubna 2007 v 2:00 | Martin Novák |  Texty
Running off over next doors garden before the hour is done
It's more a question of feeling than it is a qestion of fun
The confidence is the balaclava, I'm sure you'll baffle 'em good
But the end in reek of salty cheeks an running make up alone

Oh well blood runs down the face of a boy bewiledered and scorned
Well you find yourself in a scurmage where you wish you'd never been born
You tie yourself to the tracks an there isn't no going back
An it's wrong wrong wrong but we'll do it anyway cause we love a bit of trouble

You're pulling her form a burning building an throwing her to the sharks
You can only hope that the envy'ness is as pleasurable as the start
The confidence is the balaclava, I'm sure you'll baffle them straight
And it's wrong wrong wrong an she can hardly wait

That's right, he won't let her out his sight
Now the shaggers perform an the daggers are drawn
Who's the krooks in this crime?

That's right, he won't let her out his sight
Now the shaggers perform an the daggers are drawn
Who's the krooks in this...crime!?

That's right, he won't let her out his sight
That's right, he won't let her out his sight

That's right, he won't let her out his sight
You'll be able to pose tell the day of the most all this heights of old time

You knew that it would be trouble right before the very first kiss
Consuming but the
she asked you to take it off
but you resisted and faught
sorry sweet, please no drama
keep on the balaclava

D is for Dangerous

15. dubna 2007 v 2:00 | Martin Novák |  Texty
He knew what he wanted to say
But he did not want to word it
The dirty little herbert
Was thinking an escape
But the place was well guarded

The guiltyness that started
Soon as the other part had stopped

D is for Delightful
And try and keep your trousers on
I think you should know you're his favourite worst nightmare
D is for...

Desperately trying to stimulate what it was that was alright
3 quarters of an hour ago
That had led him to be in a position
And every compromission
Another freak episode

He's nearing the brink but he thinks first
The parallel universe perhaps could be the perfect scene
He's nearing the brink but he thinks first
The parallel universe perhaps could be the perfect scene
He's nearing the brink but he thinks first

The parallel universe perhaps could be the perfect scene
He's nearing the brink but he thinks first
The parallel
I think you should know you're his favourite worst nightmare

D is for delightful
and try and keep your trousers on
you should know you're his favourite worst nightmare

Teddy Picker

14. dubna 2007 v 8:42 | Martin Novák |  Texty
They sped up to the point where they provoke
the punchline before they have told the joke
Concealed desperation to be seen
staring at the television screen
They sped up to the point where they provoke
you to tell the fucking punchline before you have to the joke
I'm sorry, sunshine, it doesn't exist
it wasn't in the top 100 list

And it's the thousandth time that it's even bolder
Don't be surprised when you get bent over
they told ya
but you were dyin' for it

Another variation on a theme
A tangle on the television and a magazine
D'you reckon that they do it for a joke?
D'you reckon that they make them take an oath that says that we are
defenders of any poser or professional pretender around

When did your list replace the twist and turn
and the fist replace the kiss, don't concern
Don't be bothered
I don't want your prayer
Save it for the morning after

And it's the thousandth time that it's even bolder
don't be surprised when you get bent over
they told ya
but you were gagging for it

Let's have a game on the teddy picker
not quick enough can i have it quicker
already thick, can you get in quicker

Let's have a game on the teddy picker
not quick enough can i have it quicker
already thick, can you get in quicker

Coz you meant that all things are equal
Who'd want to be men of the people
When there's people like you